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Tuesday, February 28, 2006

Slide 1

My project is on the History of the Kingdom of Benin.

 

 

Slide 2

The Kingdom of Benin

        Founded in 10 century

According to Benin Tradition:

        Edo people who inhabit Benin area invited Prince Oranmiyan of Ife (one of the Yoruba States) to remove ruling Ogisos (there is a story about a marriage but historians say its only to cover up being ruled by another people)

        Oranmiyan’s son Eweka = first Oba of Benin

 

 

Slide 3

        13th Century: Benin = agglomeration of farms enclosed by walls and a ditch

        1280: Art of bronze and brass casting introduced

        Benin Kingdom actively involved in slave trade

        14th - 17th century: Kingdom of Benin flourished

        14th Century: ruling dynasty in Benin began

        1485: Benin visited by Portuguese

        1480s: Benin began to trade with Portuguese

 

 

Slide 4

        By 15th Century: Oba had become a paramount in Benin Kingdom

        Oba Ewuare (the first Golden Age Oba)

-- credited for turning Benin City into a military fortress protected by moats & walls

-- Launched his military campaigns & began expansion of Kingdom

 

 

Slide 5

        During 15th Century: Oba Ewuare increased Oba’s power by introducing primogeniture (the system where son succeeds father) ß this diminished the power of the uzama (powerful group of hereditary chiefs who have a prominent role in selecting the Oba)

        Oba Ewuare: tried to find political ballast to the uzama à created categories of Palace Chiefs and Town Chiefs which he appointed

        Ewuare and his son Ozolua increased size of Benin so that the Kingdom extended east from the Niger River and west to the eastern portions of Yoruba.

 

 

Slide 6

        ~1504-1550: Ozolua’s son, Esigie, ruled

        Esigie: established close contacts with Portuguese

        Under Esigie’s rule, artists produced most famous works

        After Esigie’s death: Obas withdrew from political life

        Obas set up a royal monopoly over trade in pepper & ivory  with Europeans

        1500-1800: Benin Kingdom grew in wealth & power (mostly through extensive trade with Portugal)

        Benin = important exporter of cloth

 

 

Slide 7

        15th - 16th Century: Benin Kingdom reached maximum size and artistic splendor

        Early 16th Century: Oba sent ambassador to Lisbon & King of Portugal sent Christian missionaries to Benin

• 16th Century: Benin prevented decrease in population by prohibiting export of male slaves.   However, they continued to import slaves bought by Europeans from West Africa

 

 

Slide 8

        16th - 17th Century:

         Benin was rich in slave trade with Europe (Bight of Benin’s shore = “Slave Coast”)

         Style & form of Benin’s artistic Oba heads changed

        ~1700: City & Kingdom of Benin declined along with the slave trade

        Late 18th - 19th Century: Political & military power of the Oba undermined by shift in trade to Guinea Coast & by rebellions of powerful chiefs within Kingdom

 

 

Slide 9

        Beginning of 19th Century: abolition of slave trade

        19th Century: Benin revived with development of trade in palm products with Europeans.

        Oba gradually banned exported goods from Benin until trade was exclusively I palm oil

        End of 19th Century: British established its presence along present-day Nigerian Coast

        1892: Trade & protection treaty drawn by British Capt. Gallwey

        The Niger Coast Protectorate government established its authority, usually by force.  BUT: Benin insisted on retaining sovereignty & trading independence

 

 

Slide 10

        The Niger Coast Protectorate government established its authority, usually by force.  BUT: Benin insisted on retaining sovereignty & trading independence

        1897: The Punitive Expedition –a 1200-strong British force, under Admiral Sir Harry Rawson’s command, conquered & burned Benin city (destroyed much art); palace was sacked by British

        British set apart Warri Province to punish Oba of Benin & curb his powers

 

 

Slide 11

        Late 19th Century: Some residents of Benin are still capable of speaking a pidgin Portuguese

        1914: Benin monarchy restored BUT: true power lays with colonial administration of Nigeria

        Today: Africa Reparations Movement – Making an effort to get back the art that was taken by the British

 

 

Slide 12

Bibliography

 

Benin City. 6 Jan. 2006. Wikimedia Foundation, Inc. 25 Feb. 2006 <http://en.wikipedia.org/wiki/Benin_City>

 

Giblin, James. Introduction: Diffusion and other Problems in the History of African States. 7 Mar. 1999. University of Iowa. 25 Feb. 2006 <http://www.uiowa.edu/~africart/toc/history/giblinstate.html#benin>

 

Grant, Bernie. The British and the Benin Bronzes. ARC. 26 Feb. 2006 <http://www.arm.arc.co.uk/britishBenin.html>

 

Kingdom of Benin. 10 Feb. 2006. Wikimedia Foundation, Inc. 26 Feb. 2006 <http://en.wikipedia.org/wiki/Kingdom_of_Benin>

 

Raskin, Ilya, and Yuri Raskin. Tribal African Art. African Art Museum. 27 Feb. 2006 <http://www.zyama.com/benin/pics..htm>

 

Ross, Emma G. Benin Chronology. 2006. The Metropolitan Museum of Art. 26 Feb. 2006 <http://www.metmuseum.org/toah/hd/bnch/hd_bnch.htm>

 

 

 

 


Tuesday, November 01, 2005

First Nations Art: the Seal

Background

  • The harbour seal (aka hair seal) was very important to the First Nations tribes on the Northwest Coast of North America (below: harbour seals)
  • Seal was a source of oil as well as blubber and meat
  • Seal meat was used in a particular dish called the Seal Dish (aka Potlatch Dish or House Dish because the harbour was also a family crest in some tribes
  • Seal Dish was presented at potlatches

Mythology

  • no legends focused only on the seal
  • Tsimshian had a legend where Sisutl, adouble-headed serpent of the sea), who has the ability to transform itself between man and animal, liked to gain the shape of a double-headed canoe.  The canoe would creak and its owner would have to feed the canoe seals.
  • The Igliuik had a legend on how seals came into existence:

    "Long ago a great catastrophe caused the world's supporting pillars to collapse and destroy the earth. Two men emerged full-grown from hummocks of earth. They married each other, and one became heavy with child. The other man sang a magic song, which caused the pregnant man's penis to divide, he then became a woman and gave birth to a girl child. The mother and father giants cared for the child who grew large and fiercely loved meat. One night she bit into her parents limbs while they slept. They awoke in horror as she tried to bite them again. They took her in a umiak far out into the deepest sea, where they pushed her into the water. She clung to the side of the boat, so they cut off her fingers. The fingers became whales, seals, and shoals of fish. The giant parents were afraid of their child and they rowed away into the night. The giant girl became the demon girl Sedna, the Great Mother of sea creatures. She causes storms and governs the migrations of her sea creature children."
  • Many stories also associated indirectly with seals. ie. the Kwakiutl had a King of the Undersea World known as Komokwa, "wealthy one", also called the Protector of Seals. (Below: a picture of Komokwa)

Representation and Symbolism

  • Traditionally, the seal represents:
    -
    wealth and plenty

    -
    inquisitiveness

    -organization
  • In a more contemporary view, the seal represents:
    -
    curiosity
    (but in a more adventurous and fun way)
    -
    playfulness

How New Ideas of Representation Affect the Art

  • Different way of curving lines give a different message ie. curvier lines give a sense of natural curiosity
  • New expressions and postures: seals seem more playful (see pictue right of coffee table)
  • Brighter colours: a new boldness, makes the seals seem more playful and adventurous

Motifs and Elements

  •  Eyes:
    -Eyes themselves are solid black (may or may not have a rim of white)
    -
    Same eyelids: a rectangular almond shape with corners that taper sharply
    (eyes differ slightly between northern and southern tribes)

    -Below: an Athabaskan seal mask: the ovoid eyes are again apparent, the face coming out ressembles the seal and the distinct nostrils of the seal are evident
  • Nostrils:
    -sloped and rounded
    -flared
     (Left: a seal rattle.  Notice the mouth which is the same on all seal Northwest Coast native art.  Also, the prominent wide nostrils)
  • Mouth:
    -Stretched ovoid (sometimes with an inner ovoid, if there are teeth)
  •  Body:
    -Stubbier than a sea lion's body (sea lion is much curvier and round)
    -Flippers are not very prominent in design because the are not actually used in swimming much
    -Consistenent in using the U-form, like many animals do , for the torso (it fits well with how the seal bends) (below: a seal bowl)
  • Body Position:
    -Seal is often portrayed on its belly
    -When seal is in action: more slender (below, a seal after a salmon)
  • When on a totem pole, the seal is on its belly and all parts are shown

Modern vs. Traditional Designs of the Seal

  • Colour:
    -Bold, black lines outline entire design with red and green in some places (traditional)
    -Outline is done entirely in a bright bold colour ie. red/ blue (modern)
  • Body Shape:
    -Rounder at the seal's back and more curvaceous (modern)

    -Upside-down rounded trapezoid for belly of seal (traditional)

Mask

  • Shamon Seal Mask #101 This is an Inuit seal mask but it is very similar to that of the Athabaskan's and has many of the motifs you see in the NWC masks:  the widened mouth, the teeth are present and the almond-shaped eyes.

--------------------------------------------------------END---------------------------------------------------

 

Bibliography

 

Alaska Adventure Cruises.”  Over the Seas Expeditions.  2004.  Over the Sea Expeditions.  29 October 2005.  <http://www.princewilliamsoundcruises.com/ wildlife-harbour-seals.html>

“Antiquity.”  Canada’s First Nations.  2000.  University of Calgary, Red Deer College.  30 October 2005.  <http://www.ucalgary.ca/applied_history/tutor/firstnations/ world.html>

“Business Books and Directories.”  Bookservices.com.  N/A.  World Wide Trade Service.  2 November 2005.  <http://www.bookservices.com/carvings/Images/seal.jpg>

Cohen, Kathleen.  North Coast Masks.” Another Face: Masks  Around the World.  N/A.  Kansas City Nelson-Atkins Museum of Art.  1 November 2005. <http:// gallery.sjsu.edu/masks/Images/imagepage/Northwest_Coast/nam03022.html>

“Connie Watts.”  Native Online.  N/A.  Chims Studios.  28 October 2005.  <http:// www.nativeonline.com/ conniewatts.htm>]

“Crane, Otter, Seal Totem Pool.”  Coastal Peoples Fine Arts Gallery.  26 October 2005.  Coastal Peoples Fine Arts Gallery.  2 November 2005.  <http:// www.coastalpeoples.com/purchase/sculpture/craneottersealtotempole.htm>

“Culture & Traditions.”  Canadian First Nations Art.  N/A.  Euroconnect Import Export Corporation.  29 October 2005.  <http://www.euroconnect3000.com/english/culture_traditions/ cultures_traditions.html>

Horsthius, Hendrick.  “Principles and Elements of Design.”  West Coast Native Art.  N/A.  Malaspina University College.  30 October 2005.  <http://www.mala.bc.ca/www/discover/educate/posters/hend1.htm>

“Legends.”  Native Online.  N/A.  Chims Studios.  28 October 2005. <http:// www.nativeonline.com/legends.html#SEAL>

Murrant, Allan and Cathy Murrant.  Cape Breton, Nova Scotia, Canada,”  Cape Breton Birds.  October 2005.  N/A.  29 October 2005.  <www.capebretonbirds.ca/digiscope.html>

“Jewelry.”   Native Legends Jewelry.  N/A.  Native Legends Jewelry.  1 November 2005.

<http:// www.nativelegendjewelry.com/jewelry/index.php>

“Northwest Symbols.”  Totem Poles of the Great Northwest.  N/A.  Manataka American Indian Council.  29 October 2005.  <http://www.manataka.org/page30.html>

Sarah.  “Photo Gallery and Journal.”  Sitka Youth Kooteeyaa Project 2004-2005.  11 May 2005.  Pacific High School.  1 November 2005. <http://www.ssd.k12.ak.us/ PHS/web2005/ totempole/totempole.html>

“Seal and Salmon by Bob King.” Just Art Gallery.  N/A.  Wilson Technologies.  28 October 2005. <http://www.justart.ca/product.cfm?itemID=98>

“Seal Bowl.”  Authentic Canadian Art.  24 October 2005.  Petroglyph Gallery.  31 October 2005.  <http://www.petroglyphgallery.ca/pages/seal-bowl.html>

“Seal by Gertrude Robertson.” Just Art Gallery.  N/A.  Wilson Technologies.  28 October 2005. <http://www.justart.ca/product.cfm?itemID=139>

Stewart, Hilary.  Looking at the Indian Art of the Northwest.  Vancouver: Douglas & MacIntyre, 1979.

“Store Art Search.”  Canadian Indian Art Inc.  N/A. Canadian Indian Art Inc.  2 November 2005.  <http://indianartgifts.com/cgi-bin/inventory_list.pl>

Zavediuk, Melanie.  “Jewelery.”  Inuit Gallery of Vancouver.  N/A.  Art Dealers Association of Canada.  31 October 2005.  <http://www.inuit.com/Jewelry/ jewelry3.htm>

Zavediuk, Melanie.  “The Elegant Implement.”  Inuit Gallery of Vancouver.  N/A.  Art Dealers Association of Canada.  31 October 2005.  <http://www.inuit.com/ Archives/implements/implement4.htm>


Wednesday, October 05, 2005

Geography: To Describe the Earth

GeographyThe study of the earth's surface, its features and human interaction with the

 environment.

Branches in Geography


Physical Geography       Human Geography                  Oceanography


-Geomorphology     -Historical Geography        -Biological Oceanography


-Hydrology             -Geopolitics                      -Physical Oceanography    


-Glaciology            -Cultural Geography           -Chemical Oceanography



Socio-Environmental Geography              Cartography~


-Cultural & Political Ecology

-Risk-Hazards Research


*Note that all the above are only examples of geography.  A more detailed list can be found

at:  http://en.wikipedia.org/wiki/Geography

 

Geographer

-studies natural and societal processes which shape our surroundings and interprets and

analyzes the ever-changing relationship between society and environment

-should be able to study physical features of a region and determine the impact of features on

living organisms, climate, economy, etc.

 

Vocabulary

ecology: The scientific study of the distribution and abundance of living organisms and how

these properties are affected by interactions between organisms and their environment

geodectics (geodesy): The scientific study that deals with measurement and representation of

the Earth, its gravitational field and geodynamic phenomena

geology: The scientific study of the Earth, its physical structure, composition, history and the

processes that shaped it

**Note: Do not confuse geography and geology.  Geology focuses on the physical aspects of

Earth.  Geography looks into depth on the features of the Earth and the impacts of the

features on humans

 

 

How to Become a Professional Geoscientist

Aim: to be certified as a Professional Geoscientist by the APEGBC

1)
1.  Receive a high school diploma (You may wish to take Geography and what are considered
 
art or humanities courses such as History & World Cultures during your secondary school
 
career)
2)
 
2.  Enter and take the four-year Bachelor of Science major program at a university with the
 
appropriate electives to fulfill APEGBC requirements
 
                                                          -----or-----
 
After obtaining a B.Sc. Degree, take the combined Geography and Geology Honours Program
 
3.  Register as a Geologist-in-Training (G.I.T.)
)
 
4.  If graduation is under the Physical Geography program, one may choose to enroll under
 
Environmental Geoscience
5)
 
5.  Gather at least 48 hours months of experience under oversight of a registered Professional
 
Geoscientist (P.Geo.)
6)
 
6.  Submit a file of papers recording experiences to APEGBC
 
7.  If dossier is accepted, you may write the Professional Practice Exam
8)
 
8.  Upon successful completion of exam, you become a P.Geo.
 
 
 
 
~Cartographers
 
-need to be able to understand and create systems of abstract symbols which will represent
 
certain features on Earth
 
-need to understand geodectics
 
-must learn considerably difficult mathematics in order to understand how "flattening" the
 
earth onto a surface for better viewing can lead to distortion of features on maps
 
 
 
Job Opportunities
 
-Can work for government agencies of all levels
 
-May be employed in the private sector by engineering or environmental firms
 
 
 
Methodology
 
Tools of a Geographer:
 
-Maps (Below: Example of a World Map)
 
 
 
 
 
 
-Computer-based Geographic Information Systems` (GIS)
 
     -stores data about Earth so that it can be retrieved and appropriately
 
      presented quickly
 
     -GIS has drastically changed Cartography:  most maps made nowadays are made with
 
     the help of the GIS.  It is an easy and accessible way to obtain needed information
 
 
++GIS specialists must understand computer sciences and database systems.  Sometimes
 
cartographers work with Computer-aided Design (CAD) or other specialized map-making
 
software. (Below: GIS image)
 
 
 
 
 
Approaches to Studying Geography:
 
1) Systematic - classifies geographical knowledge into groups that can be
 
   explored globally.
 
2) Regional - analyzes systematic relationships between groups for a
 
    specific region on Earth
 
3) Descriptive - determines the locations of specific physical features and the
 
    population of locations
 
4) Analytical - explores why features and populations are in a certain geographic
 
    region
 
 
 
How does Geography Relate to Culture?
 
-There is a branch of geography devoted to it--Cultural Geography under the Human
 
Geography branch
 
-Cultural Geography: the study of impact of human culture on the environment
 
-Culture is a people's way of life.  How people meet their needs is part of their culture.  How a
 
group of people decide to use the available resources in a region to meet their needs is one
 
way in which culture connects with geography.
 
-Depending on a people's surroundings, distinct aspects of religion can develop (i.e. The Incas
 
received sunlight and recognized its importance so worshipped their Sun God, Intip Raimi,
 
aka Inti)
 
-Sometimes the geography of an area will be changed to erect structures of religious
 
importance (e.g. in Greece, the Temple of Athena Nike, a great temple dedicated to, as its
 
name suggests, the worship of the wisdom and war goddess Athene.) (Below: the Temple
 
mentioned above)
 
 
 
 
 
 
-Some people associate certain regions with specific cultures.  Why is that?  Cultural
 
Geography answers that question.  Maybe it is because a group of people left behind them
 
many artifacts in that one location.  Cultural geographers will then look at why this type of
 
artifact is so numerous in this area.  (e.g.  They may find many pots in this one area where
 
there used to be a stream.  One can predict that pots were left there after the stream dried
 
out.  The stream relates to geography because it is a physical feature of the Earth)
 
 
 
 
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